Entre las callejuelas de Kingston, Jamaica, en los años 60, surgió una fuerza musical destinada a cambiar el mundo. En 1963, Bob Marley, junto a Bunny Wailer y Peter Tosh, formaron el grupo que pronto sería conocido como The Wailing Wailers. Estos músicos jóvenes, con profundas raíces en la pobreza, comenzaron a tejer un sonido único que capturó la esencia de su entorno y experiencias. La combinación de ritmos de ska, rocksteady, y el naciente reggae, sirvieron como base para sus primeras grabaciones, atrayendo la atención de Coxsone Dodd, un influyente productor local.
A mediados de los años 60, el grupo sufrió cambios en su formación, pero la visión de Marley permaneció intacta. Con la salida de artistas del grupo, nuevos miembros como Aston "Family Man" Barrett y su hermano Carlton Barrett se unieron, solidificando la alineación que llevaría a los Wailers a la fama global. En 1972, el encuentro con Chris Blackwell de Island Records catapultó al grupo a nuevas alturas. Blackwell les dio la oportunidad de grabar un álbum con la intención de atraer tanto al público jamaicano como al internacional, resultando en la creación de Catch a Fire (1973), un disco que pronto se convirtió en un hito del reggae.
Catch a Fire no solo mostró la capacidad del grupo para crear música cautivadora, sino que también abordó temas de injusticia
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In this life, in this life, in this life
In this oh sweet life
We're coming in from the cold
We're coming in, coming in, coming in
Coming in from the cold
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When one door is closed
Don't you know another is open
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Make you kill your brotherman
No dread no
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Make you kill your brotherman
No dread no
Would you make the system
Get on top of your head again
No dread no
Well the biggest man you ever
Did see was just a baby
In this life, in this life
In this oh sweet life
We're coming in from the cold
We're coming in, coming in, coming in
We're coming in from the cold
It's life, it's life, it's life
Coming in from the cold
We're coming in, coming in, coming in
Coming in from the cold
It's you, it's you, it's you I'm talking to
Well you, it's you, it's you
It's you I'm talking to now
Why do you look so sad and foresaken
Don't you know
When one door is closed
Don't you know many more is open
Would you let the system
No dread no
Would you let the system
Get on top of your head
No dread no
Would you let the system
Make you kill your brotherman
No dread no
The biggest man you ever
Did see was once a baby
In this life, in this life, in this life
In this oh sweet life
We're coming in from the cold
We're coming in, coming in, coming in
Coming in from the cold
We're coming in, coming in, coming in