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Daddy Yankee y Don Omar: Los Titanes del Reggaetón

Introducción a los Iconos del Reggaetón

En el vasto universo de la música urbana, dos nombres resuenan con especial fuerza: Daddy Yankee y Don Omar. Estos dos íconos del reggaetón han moldeado indiscutiblemente el género, acumulando décadas de éxitos y dejando una huella profunda en la industria musical. Explorar sus carreras, colaboraciones y el legado impactante de su trabajo ofrece una visión fascinante de cómo llegaron a dominar la escena musical global.

Inicios de Daddy Yankee

Raymond Ayala, conocido mundialmente como Daddy Yankee, nació el 3 de febrero de 1977 en San Juan, Puerto Rico. Desde temprana edad, mostró un interés por la música y comenzó a participar en competiciones locales de talento. En sus inicios, la música de Daddy Yankee estaba profundamente influenciada por géneros como el reggae y el hip hop. En la década de 1990, Daddy Yankee empezó a ganar notoriedad en la escena del reggaetón puertorriqueño con su estilo único y letras contundentes.

Primeros Éxitos de Daddy Yankee

El ascenso al estrellato de Daddy Yankee comenzó con su álbum "Barrio Fino" (2004), un trabajo revolucionario que contenía el megahit "Gasolina". Este single no solo se convirtió en un éxito mundial, sino que catapultó al reggaetón a la escena musical internacional. "Gasolina" rompió barreras lingüísticas y culturales, consolidando a Daddy Yankee como "El Rey del Reggaetón”.

Orígenes de Don Omar

William Omar Landrón Rivera, conocido artísticamente como Don Omar, nació el 10 de febrero de 1978 en Carolina, Puerto Rico. Antes de convertirse en una estrella Ver BiograFia Completa

  • 12 Discipulos En Ingles - Daddy Yankee Feat Don Omar 4:36

Daddy Yankee Feat Don Omar - 12 Discipulos En Ingles Lyrics


12 discipulos
[Galician]
Well, people!
Here are the 12 disciples!
There were many calls!
But 12 the chosen ones!
Like saying that it is worth living!
Until we reach the Last Supper!
[Vico C]
Take off your pa 'to put on me
We will see here who is who
Then do not say that it was not noticed
They are twelve that give for a hundred
Take off your pa 'to put on me
We will see here who is who
Then do not say that it was not noticed
They are twelve that give for a hundred
[Eddie Dee]
This is my season of Puerto Rican (Aja!)
At the toast distributing firewood
Throw pal lao 'that is the shift of my discharge
Here there is not na 'pa' you, neither pa 'your long language
What do you know about liriquear and of throwing with flow
You know you, you do not know na ', who knows here is me
To the hustlers hustlers I hurt your intentions
It is better that they are adjusted the pants
[Tego Calderon]
They joined 12, and here this the but crazy of to's
Riddling, killing
Dirty difficult with your combo shot me
Speaking of monkey, the type sings with King Kong
Look at it fronted the more locario
The catch-bofeta 'neighborhood
Styles copying, the but shell
A chota with papers speaking of you chewed
[Volt]
That it leaves them a ray, this comes savage
I really can not turn off the turro or voltage
They go on a trip, what comes is sabotage
I'll be waiting for you when for my area you lower
I stick strongly pa 'that the mommy shakes
I'll see how frontean, perrean, and sweat
Wicked of cardboard, I have opinion there is no doubt
Hopefully of the 12 do not leave me any Judas
[Zion]
Take off your pa 'to put on me
We will see here who is who
Then do not say that it was not noticed
They are twelve that give for a hundred
Take off your pa 'to put on me
We will see here who is who
Then do not say that it was not noticed
They are twelve that give for a hundred
[Daddy Yankee]
(What what what!)
Daddy Yankee injects them the lethal morphine
Which makes bleeding from the wound
Play you the letters that I have them brisca
Vamonos to million, melting the alley bombillon
I stand firm in the soneo
Defeating the key, the rumba with my sandungueo
Every time I put it this plantocon my attitude
Take off your that in this I am more than you
[Ivy Queen]
Take off your that I arrive the caballota
The bitch, diva, Filly
The mommy that has the Tumbao '
When you stand in front me enredao '
Chilling for that the queen has the mambo and
Chilling, whenever I leave killing
if in Puerto Rico they already know
I arrive the queen so of this you throw pa'ca
[Johnny Prez]
Blessed is he who hears this liriqueo
Take off your if you do not give the size, what there is is fire
(Pa 'after!)
Then do not say that it was not noticed
(Pa 'after!)
Here the cod was distributed
I have Celia's sugar, and Tito's Bridge rumba
I compose as Tito, and I give sticks like Clemente
No song of cora 'I sing with the cora'
It was worthwhile so much delay
[Nicky Jam]
Take off your pa 'to put on me
We will see here who is who
Then do not say that it was not noticed
They are twelve that give for a hundred
Take off your pa 'to put on me
We will see here who is who
Then do not say that it was not noticed
They are twelve that give for a hundred
[Wiso G]
The same thing saw me in the clear thing as in the dark
And I swear you that without batteries I am the more than I
Toditos _____________ one to one
They are many knuckles, I am a single knot
Look for you all the pliers that are necessary
They have a language and I have several
He feels my flow for where I spend
With a microphone, and 12 siblings in the same arm
[Lennox]
Here I arrive Lennox with their season
Us to the other concern
Make good music is my obligation
Some sauce with reggaeton
Now I come without I specify
Loading this chapter
And needless to another title
We are the 12 Disciples
[Galician]
Look, my brother!
We celebrate that this town continues dancing,
sweating!
Existing like town inside a disk,
or residential!
And that never, it rains or thunder, let us
orphans of the conscience!
We are 12 today!
Tomorrow ... we will be mile

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