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Datos de Sinéad O'Connor Nombre Verdadero: Sinead Marie Bernadette O'connorNombre Artístico: Sinéad O'ConnorDonde Nació: Dublin, IrlandaFecha de Nacimiento: 08 de diciembre de 1966Edad: 57Nacionalidad: IrlandesaGénero(s): Rock, pop rockActividad: 1983 - ActualidadInstrumentos: VozOcupación: Cantante, compositora, música guitarrista, sacerdotisa y actrizDisquera(s): Ensing/Chrysalis Records, Ensign/ChrysalisCónyuge/Pareja: John Reynolds (1987 - 1991); Nicholas Sommerland (2001 - 2004); Steve Cooney (2010 - 2011); Barry Herridge (2011 - Actualidad)Hijos: Jake, Róisin, Shane y Yoshua FrancisTipo de voz: MezzosopranoPágina Oficial: www.sineadoconnor.comRedes Sociales:Facebook, Instagram, Twitter, YouTube .'
'. ¿Quién es Sinéad O'Connor? Sinéad O'Connor fue una cantante, compositora, música, guitarrista, sacerdotisa y actriz irlandés. Nació en Dublín, Irlanda, el 8 de diciembre de 1966, bajo el nombre Sinéad Marie Bernadette O'Connor. En 2017 cambió su nombre a Magda Davitt (para estar libre de maldiciones parentales) y en 2018, cuando se convirtió en islam, pasó a llamarse Shuhada' Sadaqat. Los cambios de nombre causaron gran polémica debido a las diferentes batallas personales que la siguieron durante su vida. El 26 julio de 2023 falleció Sinéad O'Connor por causas desconocidas. Fue conocida por ser una interprete que logró vender millones de discos alrededor del mundo. Sus canciones fueron protagonistas en películas, colaboraciones con muchos otros artistas y apariciones en conciertos benéficos para recaudar fondos. Durante su carrera no solo alzó la voz a través de la musca. En 1999, fue ordenada sacerdote por la Iglesia Latina Tridentina, una secta que no es reconocida por la Iglesia católica mayoritaria. Siempre fue honesta con sus puntos de vistas,
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  • Irish Ways And Irish Laws - Sinead Oconnor 04:12

Sinead Oconnor - Irish Ways And Irish Laws Lyrics


Once upon a time there were
Irish Ways and Irish Laws
Villages of Irish blood
Waking to the morning
Waking to the morning

Then the Vikings came around (1)
Turned us up and turned us down
Started building boats and towns
They tried to change our living
tried to change our living

Cromwell and his soldiers came (2)
Started centuries of shame
But they could not make us turn (3)
We are a river flowing
We're a river flowing

Again, again the soldiers came
Burnt our houses stole our grain
Shot the farmers in their fields
Working for livings
Working for a living

800 years we have been down (4)
The secret of the water sound
Has kept the spirit of a man
Above the pain descending
Above the pain descending

Today the struggle carries on
I wonder will I live so long
To see the gates being opened up (5)
To a people and their freedom
A people and their freedom

Once upon a time there was
Irish Ways and Irish Laws
Villages of Irish blood
Waking to the morning
Waking to the morning


Notes

(1)
The first documented Viking landing took place in 795. Until the
Anglo-Norman invasion in 1170 the Vikings would play an important
role in Ireland, both politically and economically. They created trade
routes, founded kingdoms, and built the first towns in Ireland,
including Dublin, Cork and Limerick.

(2)
Oliver Cromwell landed in Ireland in August 1649 at the head of a
huge army, by May 1650 he had crushed opposition in all but the West.
(By 1652 the Irish population had fallen to .7 m. In 1641 it had
been 1.5 m. By 1660 .5 m cattle were being exported annually to
England.)

(3)
Both Cromwell's and subsequent colonisation campaigns used the twin
techniques of "planting" English and Scotish settlers and forcing
some locals to change or "Turn" their religion to the Protestant
faith. So here he uses the ambiguity of the term "turn" to echo both
the image of the unbowed Irish peasant and a metaphor for Irish
History flowing like a un-turnable river.

(4)
Since the first English invasion in 1170

(5)
"Gates" here evokes both images of the be-sieged walled cities of the
17th century and also of the present day prison camps in the North
of Ireland which at the time the song was being written (in the late
1970's early 1980's) were the subject of much political campaigning
including Hunger Strikes by the inmates.

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Lyrics de: Sinead Oconnor

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