Regina Ilyinichna Spektor nació el 18 de febrero de 1980 en Moscú, entonces parte de la Unión Soviética. Crecer en una familia judía con una fuerte inclinación hacia la música y el arte marcó profundamente su camino. Su padre, un violinista y fotógrafo aficionado, y su madre, una profesora de música, expusieron a Regina a un mundo lleno de sonidos y creatividad desde temprana edad.
Con tan solo seis años, Regina comenzó su entrenamiento clásico en piano bajo la tutela de Sonia Vargas, una respetada profesora del Conservatorio de Moscú. Esta formación temprana no solo perfeccionó sus habilidades técnicas, sino que también agudizó su oído para la melodía y la armonía.
En 1989, su familia decidió emigrar a Estados Unidos, instalándose en el Bronx, Nueva York. El cambio de ambiente cultural y lingüístico fue desafiante, pero también abrió un abanico de nuevas oportunidades. A pesar del choque inicial, Regina continuó su formación musical y rápidamente se adaptó a su nueva vida.
Durante su adolescencia, Spektor descubrió nuevos géneros y estilos musicales que enriquecerían su propio repertorio. Comenzó a componer sus propias canciones y a experimentar con la voz y el piano, creando una fusión única de lo clásico con lo contemporáneo.
En sus años universitarios, Regina asistió a la Universidad de Música Contemporánea de Nueva York, donde se sumergió de lleno en la escena indie. Actuando en pequeños bares y clubes, fue ganando adeptos y labrándose un
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I'm the king's thirty second son
Born to him in thirty second's time
Born to him with my hair still long
Born to him with two eyebrows on
And that's all I was wearing
When I woke up staring at the world
My mom had been around the graves of queens
But not at all a sex machine
She liked to keep her body clean, clean
Thought the world to be quite obscene
But she retired to her chamber
And we remain quite strangers
And to see me made her awful sad
And to touch me made her awful sad
And to see me made her awful
And to touch me made her awful
I'm the king's thirty second son
And all it took was thirty second's time
But a spoiled little prince I was not
Had a chamber maid and a chamber pot
And there's thirty one others just like me
There's thirty one others I can be
Sometimes I'd stand by the royal wall
The sky'd be so big that it broke my soul
And i stood on my toes to catch a glimpse
Of my mother's eyes and my mother's skin
And she retired to her chamber
And we remain quite strangers
And to see me made her awful sad
And to touch me made her awful sad
And to see me made her awful
And to touch me made her awful
And one morning I woke up
and I thought Oedipus, Oedipus, Oedipus, Oedipus
Then one morning I woke up and I thought Rex, Rex, Rex
Then one morning I woke up
and I thought Oedipus, Oedipus, Oedipus, Oedipus
Thirty two's still a goddamn number
Thirty two's still counts
Gonna make it count
Gonna make it count
Gonna oh oh
Thirty two's still a goddamn number
Thirty two still counts
Gonna make it count
Gonna make it count
Gonna oh oh
Long live the king
Long live the king
Long live the king
Long live the king
Long live the king
Long live the king
Long live the king
Long live the
I'm the king's thirty second son
There's thirty one others just like me
There's thirty one others on the way
There's thirty one others after that
Sometimes I stand by the royal gate
People screaming love and hate
And they scream
And they scream
And they scream
And they scream
Long live the king,
long live the queen
And to see me made her awful sad
And to touch me made her awful sad
And to see me made her awful
And to touch me made her awful
And one morning I woke up
and I thought Oedipus, Oedipus, Oedipus, Oedipus
Then one morning I woke up and I thought Rex, Rex, Rex
Then one morning I woke up
and I thought Oedipus, Oedipus, Oedipus, Oedipus
Thirty two's still a goddamn number
Thirty two's still counts
Gonna make it count
Gonna make it count
Gonna oh oh
Thirty two's still a goddamn number
Thirty two's still a goddamn number
Thirty two's still a goddamn number
Thirty two's still a goddamn number
Thirty two
Thirty two
Thirty two
Thirty two
Thirty two
Thirty two
Thirty two
Long live the king
Long live the king
Long live the king
Long live the king
Long live the king
Long live the king
Long live the king
Long live the king