En los soleados vecindarios de Long Beach, California, nació una banda única que dejaría una marca indeleble en la música. Sublime se formó en 1988, fusionando el punk rock y el reggae para crear un sonido distintivo y rompedor. La banda estaba compuesta por Bradley Nowell en la guitarra y voz, Eric Wilson en el bajo y Bud Gaugh en la batería.
Desde sus humildes inicios tocando en fiestas y bares locales, Sublime rápidamente comenzó a ganar seguidores gracias a su energía inigualable y letras provocadoras.
La música de Sublime es una mezcla ecléctica de diversos géneros, incluyendo ska, reggae, punk y hip-hop. Sus letras a menudo abordan temas como el amor, las drogas, el racismo y la vida callejera en una ciudad costera de California.
Sublime se distinguía por la habilidad única de Bradley Nowell para mezclar géneros aparentemente dispares en canciones que eran tanto melódicas como llenas de actitud. Esto les permitió conectar con una amplia gama de oyentes y crear una base de fans diversa y dedicada.
El primer álbum de estudio de la banda, "40oz. to Freedom" (1992), fue lanzado bajo el sello independiente Skunk Records. Este trabajo inicialmente pasó desapercibido pero ganó tracción con singles como "Smoke Two Joints" y "Badfish".
En 1994, Sublime lanzó su segundo álbum, "Robbin' the Hood". Aunque este disco no tuvo un impacto comercial significativo en su momento, sigue siendo una joya cult,
Ver BiograFia Completa
At It Again - Rarities Version LyricsThere we go, there we go
Where's that (??) at?
There we go, Eric...
Roll tape, roll tape...
Here we go! It's the one-stop shop and let's go...
So bad...
(Unintelligible)
I just keep on steppin, I just keep on steppin
Staring straight down at the ground, Oh-oo-woah-oo!
F-C-R-E-A-T-A
They're the type of stoopid motherfuckers that I hate
We get up, give love, get lovin', and we don't turn
'round
Said because of all the Kingston sound
Ohh, spendin' in the night at the motel 6
Where the beats run up and down
Woah! I don't pay n'attention, I don't pay attention
I just- what goes up comes, burning down sound, aheh...
F-R-O-T-U-T-A
Mutiply this by, the suckers that I hate
For me, to give, to wanna love inside
If they got
Oh if you don't need to brag, you don't need to boast
This is where we get the reggae the most
From east, west, north and south, woah!
We gonna rock it from coast to coast
Oh rebel vibes, rebel vibes, rebel vibes
Clear the dancehall tonight, oh diddly-whoa!
Oh rebel vibes, rebel vibes, rebel vibes
Clear the dancehall tonight, oh diddly-doh-oh
When I'm on deep on the microphone
Oh-oh-oh-oh-oo-oo!
Oh-oh-oh-oh, god knows!
Don't need to fight
Hmmm, oh-oh-oooooo-oo-oo-oo-oo-oo
Remember that
Pick it up
Remember, hang on to that one
That's a killer fuckin drum beat
Wanna try a different a bass line to that Eric?
At it again
Cuz the radio, the music sound kicks in
Once again, upon the mic cuz ima Bradley from Sublime
Comin' off select pick and you press rewind, oh!
(Dance sweet and I love, my little darling, and i love)
At it again, we're at it again
Because the radio, the music sound stays in
Once again, upon the mic cuz ima Bradley from Sublime
Comin' off select pick and you press rewind, oh!
K, let's try ghost brothers on that one...
Woop!
Don't touch it, no touch a thing called the colors too
Locos
No touch it, no touch a thing called the crack boy
No touch it, don't touch a thing called colors too
Loco
Don't touch it, don't touch a thing called the crack
Whore
Crack is dangerous, it not ok
Crack will make you, act crazy
Sell your van, sell your doggie
You sell her girlfriend and her sweet punani
You sell your producer, you sell your tape
You sell everything, if you can relate
All those people, fa-follow me
This is the dance done from north to south
This is the dance done from north to south
East, west, Panama, in Costa Rica, bbdbdbdbboh
(Unintelligible)
Oh god, it's a relief
Oh god, it's a relief
That's why once again my number one style
Roll it back
Should we use the roll of tape on that one?
Nope