En los soleados vecindarios de Long Beach, California, nació una banda única que dejaría una marca indeleble en la música. Sublime se formó en 1988, fusionando el punk rock y el reggae para crear un sonido distintivo y rompedor. La banda estaba compuesta por Bradley Nowell en la guitarra y voz, Eric Wilson en el bajo y Bud Gaugh en la batería.
Desde sus humildes inicios tocando en fiestas y bares locales, Sublime rápidamente comenzó a ganar seguidores gracias a su energía inigualable y letras provocadoras.
La música de Sublime es una mezcla ecléctica de diversos géneros, incluyendo ska, reggae, punk y hip-hop. Sus letras a menudo abordan temas como el amor, las drogas, el racismo y la vida callejera en una ciudad costera de California.
Sublime se distinguía por la habilidad única de Bradley Nowell para mezclar géneros aparentemente dispares en canciones que eran tanto melódicas como llenas de actitud. Esto les permitió conectar con una amplia gama de oyentes y crear una base de fans diversa y dedicada.
El primer álbum de estudio de la banda, "40oz. to Freedom" (1992), fue lanzado bajo el sello independiente Skunk Records. Este trabajo inicialmente pasó desapercibido pero ganó tracción con singles como "Smoke Two Joints" y "Badfish".
En 1994, Sublime lanzó su segundo álbum, "Robbin' the Hood". Aunque este disco no tuvo un impacto comercial significativo en su momento, sigue siendo una joya cult,
Ver BiograFia Completa
Oh, let me
Oh, let me
Oh, let me, tell me, tell me
Oh, let me tell you why I feel like that
Oh, let me tell you why I feel like that
Oh, let me tell you why I feel like that
Oh, let me tell you why I feel like, feel like
One for the music and one for the road (one for the road)
Drop the beat to the rhythm, take us back to the show
Show your love for the people, when they come, when they go
We're the next generation, and the next episode
Call me on the telephone, ask me if I know this
The sky is running dry, whose got the herbs that they sold us
Outta my supply, don't remind, just record us
Back to the melody, the beat, and the chorus
Oh, let me tell you why I feel like that
Oh, let me tell you why I feel like that (like that)
Oh, let me tell you why I feel like that
Oh, let me tell you why I feel like, feel like
I've been lost in the moment, I've been spending my days
I've been listening to the ocean and the breaking of the waves
What once was a remedy, now fades away
Give me the lights and the music, microphone and the stage
Back to the rhythm now, back, yeah, we groovin'
Everybody's gettin' down and everybody's movin'
Rhymes are a sign of the times that we're using
Lovin' the life you live, live the life that you're choosing
Oh, let me tell you why I feel like that
Oh, let me tell you why I feel like that (like that)
Oh, let me tell you why I feel like that
Oh, let me tell you why I feel like (feel like)
This is a dance done from north to south
This is a dance done from north to south
East, West, Panama, and Jamaica, uh
Every but- wan move your feet, ah
Love my girly, love my dog
And Love my God, I feel gon' stand-stand for
I'm unreal
When I'm on the microphone it get real
Oh, let me tell you why I feel like that
Oh, let me tell you why I feel like that (like that)
Oh, let me tell you why I feel like that
Oh, let me tell you why I feel like (feel like)
Gotta be smokin' like DJ
You gotta be smokin' like DJ
Oh, my God, it's a relief
My God is away
It's so nice just to get to be here
Your voice is so loud after all these years
Won't you break me off a piece, it's only fair
Give me a little lovin', won't you give me my share? (Go)
D-D, DJ
It-it, it's a relief
All the words you're saying, sounds so sweet to me
I'm so glad you found me, wouldn't change a thing
All the songs you're playing, mean so much to me
If I could do it over, I wouldn't change a thing (wouldn't change)
Put your hands together 'cause I'm in the studio
Put your hands together 'cause I'm in the studio (go, go, go, go)
Fall in love because, with this movie, my God
Put all that shit back, I'm being silly